The Representation of Chineseness in Eat Drink Man Woman

Bibliographic Data

ID21805099
AuthorsMengjie Zhou (0000-0003-2603-2943), MENG-JIE ZHOU (Guangdong University of Foreign Studies, corresponding author)
Year2021
Volume12
Issue4
Pages624-629
Publication date2021-07-01
Open AccessYes
TypeARTICLE
VenueJournal of Language Teaching and Research (JOURNAL)
Journal identifiersISSN: 1798-4769 • E-ISSN: 2053-0684
PublisherAcademy Publication (PUBLISHER • GB)
DOI10.17507/jltr.1204.14
OpenAlexW3181015444
LanguageEN
References cited2

Eat Drink Man Woman, well-known as the last episode of “Father-Knows-Best” trilogy directed by Ang Lee, is attractive to numerous scholars following its nomination of Oscar. Through comparative studies, voluminous critics have devoted to the theme of globalization and cultural identity. However, few scholars notice that cultural identity as a sign of national image experiences a series of transformations. Therefore, this article mainly probes how the transformation of cultural identity changes the ideological component of national memory that contributes to nurturing the Chinese national identity. Father’ s image and daughters’ role are prominently represented in the film, particularly father’s psychological changes in some sense projecting the transformation of traditional ideology. Thus, combined with historic background this article will set about the transformation of father’s role and daughter’s image which predicate the deconstruction of traditional gender discourse, trying to figure out how does the transformed ideology expressed through the deconstruction of gender discourse contribute to the reconstruction of Chinese national identity

Aesthetics · Art · Binary opposition · Cultural identity · Ideology · Literature · National identity · Notice · Political science · Politics · Social science · Sociology · Trilogy · Asian Culture and Media Studies · Gender Studies · Law · Philippine History and Culture · Psychology · South Asian Cinema and Culture

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