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An Incessant Historical Struggle for a Jewish Bantustan

The Yiddish Policemen’s Union

Bibliographic Data

ID21806231
AuthorsJ Sathish Kumar (0009-0004-6410-6792, Vel Tech Rangarajan Dr. Sagunthala R&D Institute of Science and Technology), Amresh Prakash (0000-0002-4821-1654, Vel Tech Rangarajan Dr. Sagunthala R&D Institute of Science and Technology), Prakash A
Year2023
Volume13
Issue6
Pages1343-1348
Publication date2023-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory and Practice in Language Studies (JOURNAL)
Journal identifiersISSN: 1799-2591 • E-ISSN: 2053-0692
PublisherAcademy Publication (PUBLISHER • GB)
DOI10.17507/tpls.1306.02
OpenAlexW4379229265
LanguageEN
References cited2

This article tries to investigate the connection space and time as they pertain to the fictitious world of Michael Chabon's The Yiddish Policemen's Union (2007). The book shows significant concerns regarding the existence of Israel as well as the concept of a Jewish state. By analysing the function of eruvim in the construction and contestation of Jewish identity in Chabon's postmodern detective novel from 2007, this study argues that Chabon creates a universe in which geographical place complicates rather than simplifies Jewish identity in diaspora and postmodernity. This study accomplishes its goal by analysing the function of eruvim in analysing Chabon's postmodern detective novel from 2007. So, the Jewish Alaska that exists in Chabon's imagination has a significant link to the contentious assertions that he has made regarding the contemporary geographical state of Israel

Aesthetics · Archaeology · Diaspora · Epistemology · Jewish identity · Judaism · Postmodernism · Postmodernity · Sociology · Yiddish · Computer Science · Crime and Detective Fiction Studies · Gender Studies · History · Jewish and Middle Eastern Studies · Philosophy · Social and Cultural Studies

  • Space and Place in Jewish Studies

    Sarah Phillips Casteel•Studies in American Jewish…•2017

  • Maps and Legends

    Open Access•Justine Lutzel•The Journal of Popular Culture•2009

Citation velocityhistorical
Highly citedNo

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