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“I’ve Not Had Much Fun Since the War”

Veterans on the Edge of Homosexuality in Ernest Hemingway’s The Sun Also Rises

Bibliographic Data

ID21807150
AuthorsAli Alnawaiseh (Mutah University, corresponding author)
Year2024
Volume14
Issue5
Pages1403-1410
Publication date2024-05-29
Open AccessYes
TypeARTICLE
VenueTheory and Practice in Language Studies (JOURNAL)
Journal identifiersISSN: 1799-2591 • E-ISSN: 2053-0692
PublisherAcademy Publication (PUBLISHER • GB)
DOI10.17507/tpls.1405.12
OpenAlexW4399130059
LanguageEN
References cited3

This article examines sexuality in Ernest Hemingway’s novel The Sun Also Rises alongside warfare events and memories brought home from the frontline. This essay argues that witnessing the war firsthand and the unique circumstances from serving on the frontline has the potential to inspire homosexual tendencies among soldiers. This proposition can explain the veterans’ performances in the novel, such as Jake Barnes, Bill Gorton, Count Mippipopolous, and Harris Wilson. In varied places in this paper, the discussion depends on Menninger’s (1948), Fussell’s (2000, 2009, 2013), and Crouthamel’s (2008, 2014) accounts of the influence of modern wars on soldiers’ sexualities. As this current study shows, in an attempt to hide their newly-found homosexual tendencies, the veterans in The Sun Also Rises tend to over-assert their heterosexuality and avoid all nonveteran male environment(s). Reading the novel with Hemingway’s male characters’ performance of heterosexuality and avoidance leads to new ways of understanding the novel as the current paper discusses sexuality in the context of frontline memories and experiences

Enhanced Data Rates for GSM Evolution · Homosexuality · Psychoanalysis · Telecommunications · American and British Literature Analysis · Computer Science · History · Psychology

  • Male Sexuality and Psychological Trauma

    Jason Crouthamel•Journal of the History of Sexuality•2007

  • Psychiatry in a Troubled World

    James M Cunningham•American Journal of Public Health…•1948

  • Performance Art

    Ira Elliott•American Literature•1995

Highly citedNo

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