La fotografía en el cine de Pedro Almodóvar
Bibliographic Data
| ID | 21811651 |
|---|---|
| Authors | Nekane Parejo Giménez (0000-0003-3021-1223, Universidade Estadual de Londrina, corresponding author) |
| Year | 2021 |
| Volume | 16 |
| Issue | 29 |
| Pages | 44 |
| Publication date | 2021-02-28 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Discursos Fotográficos (JOURNAL) |
| Journal identifiers | ISSN: 1808-5652 • E-ISSN: 1984-7939 |
| Publisher | Universidade Estadual de Londrina (PUBLISHER • BR) |
| DOI | 10.5433/1984-7939.2020v16n29p44 |
| OpenAlex | W3145302100 |
| Language | ES |
| Citations received | 3 |
Within, these intertextual games that Almodóvar has familiarized us with, this research will focus on how the photographic images are brought together by the filmic image throughout the footage. In other words, the suggested purposes are to determine what formulas are used by this director, what categorizations can be configured from the images linked to the photography that he incorporates into his films and determine which role they play in the footage
Art · Art history · Photography · Visual arts · Cinema History and Criticism · Media, Journalism, and Communication History · Spanish Culture and Identity
| Unique citing works | 3 |
|---|---|
| Citations per year | 3 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 3 |