O filme "Ôri"
Um Corpo Decolonial Aquilombado
Bibliographic Data
| ID | 21812843 |
|---|---|
| Authors | Rafael Garcia Madalen Eiras (0000-0002-7906-057X, Universidade Federal Fluminense, corresponding author) |
| Year | 2024 |
| Volume | 20 |
| Issue | 1 |
| Publication date | 2024-01-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | OuvirOUver (JOURNAL) |
| Journal identifiers | ISSN: 1809-290X • E-ISSN: 1983-1005 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/ouv-v20n1a2024-66777 |
| OpenAlex | W4391403669 |
| Language | RO |
The text analyzes the film “Ôri” (1989) directed by Raquel Gerber. A work that, through multiple looking strategies, discusses the process of liberation of the Brazilian black people. Having as a guiding thread the life of black intellectual Beatriz Nascimento. A self-author when proposing her particular worldview, but it is also a writing of a people, of a multiple black body. In this way, assuming a methodology that does not intend to be unique, true, what they propose is a path to be followed, traveled by the body in movements of affection, amazement, doubts. A decolonial methodology of film analysis, perceiving the film as a quilted body
Cultural, Media, and Literary Studies · Gender, Sexuality, and Education · Materials Science
| Highly cited | No |
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