As Canções
Emoções à capella
Bibliographic Data
| ID | 21813002 |
|---|---|
| Authors | Helena Oliveira Teixeira De Carvalho (0000-0001-6732-2395), Helena Oliveira (0000-0002-8274-9757, Centro Universitário Belas Artes de São Paulo, corresponding author) |
| Year | 2022 |
| Volume | 18 |
| Issue | 1 |
| Publication date | 2022-08-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | OuvirOUver (JOURNAL) |
| Journal identifiers | ISSN: 1809-290X • E-ISSN: 1983-1005 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/ouv-v18n1a2022-60338 |
| OpenAlex | W4294026512 |
| Language | PT |
This article aims to understand how Eduardo Coutinho works his musical poetics and how it contributes to the vitality of his documentaries. From an analytical and interpretative descriptive analysis of the film As Canções (2011), the objective is to detect the modes of operation of music in the keys ok meaning, sensations and feelings. To do so, we will start from the hypothesis that the film may contain strategies that aim to make feelings emerge in those who appreciate it and that sound is a crucial tool of that strategy
Art · Humanities · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism · Philosophy
| Highly cited | No |
|---|