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Islamophobia Values in The French Magazine Charlie Hebdo's Cartoons

A Semiotic Perspective of Roman Jakobson

Bibliographic Data

ID21816017
AuthorsAldrian Aldrian (Universitas Islam Negeri Maulana Malik Ibrahim), Septi Lestari, M Anwar Mas'adi M Anwar Mas'adi, M Anwar Mas'adi (Universitas Islam Negeri Maulana Malik Ibrahim)
Year2024
Volume20
Issue1
Pages17-32
Publication date2024-06-30
Open AccessYes
TypeARTICLE
VenueJURNAL PENELITIAN KEISLAMAN (JOURNAL)
Journal identifiersISSN: 1829-6491 • E-ISSN: 2580-9652
PublisherState Islamic University (UIN) Mataram (PUBLISHER)
DOI10.20414/jpk.v20i1.9801
OpenAlexW4400164219
LanguageEN
References cited4

This study analyzes two cartoons from Charlie Hebdo, employing six elements of Roman Jakobson's semiotics. It's a descriptive qualitative study using cartoon. The results of the study show that: 1) the cartoon edition 1011 consists of one addresser, Jean Cabut; two addressees, Prophet Muhammad SAW and Islam; one contact, Charlie Hebdo magazine; two contexts, social and religious-social; three codes with their respective messages, it can be concluded with the caricaturist's satire towards the whipping law found in Islamic Sharia; 2) the cartoon with the subtitle "L'amour, plus fort que la haine" consists of one addresser, Renald Luzier; one addressee, Muslim extremist groups; one contact, Charlie Hebdo magazine as one of the mass media in France; two contexts, social and religious-social; two codes with their respective messages, which can be concluded with the peace signal that the cartoonist wants to convey after the burning incident of the Charlie Hebdo magazine office

Art · Cartoonist · Islam · Islamophobia · Linguistics · Media studies · Political science · Semiotics · Sharia · Social media · Sociology · Subtitle · Theology · Education and Communication Studies · History · Islamic Finance and Communication · Law · Linguistics and Language Analysis · Philosophy · Religious studies

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Highly citedNo

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