Media Framing of the Coronavirus in Croatia
Bibliographic Data
| ID | 21816652 |
|---|---|
| Authors | Mirela Holy (0000-0003-1294-1978, VERN' University, corresponding author) |
| Year | 2021 |
| Volume | 10 |
| Issue | 18 |
| Pages | 2813-2828 |
| Publication date | 2021-05-26 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | In medias res (JOURNAL) |
| Journal identifiers | ISSN: 1848-6304 • E-ISSN: 2786-152X |
| Publisher | Center for Philosophy of Media and Media Research (PUBLISHER) |
| DOI | 10.46640/imr.10.18.3 |
| OpenAlex | W3169528876 |
| Language | EN |
| References cited | 3 |
Media framing is a method through which the media frame news into familiar narratives which correspond to the unconscious layers of our psyche. The media tend to overemphasize certain aspects of events, all the while in a Procrustean fashion ignoring those aspects that do not fit into the selected narrative frame (Kunczik and Zipfel, 1998: 103). Media framing relies on storytelling, and theorists note that master narratives selected from myths, fairy tales and dreams, largely reinforce the manipulative effects of media framing (Kent, 2015). This paper examines how Croatian print media framed the news on the coronavirus in the period between the first introduction of social distancing measures (19 March 2020) and relaxation of the measures (27 April 2020). Preliminary research points to the use of the following master narratives: overcoming the monster, rags to riches, the quest, tragedy as punishment for egoism and arrogance, rebirth. In addition, prominent members of the National Crisis Headquarters were framed within the hero archetype. The use of these master narratives in media framing of the corona crisis during the so-called first wave of the epidemic, clearly indicates the intention of propaganda and manipulation
Archetype · Art · HERO · Journalism · Literature · Media studies · Mythology · Narrative · Political science · Sociology · History · Media Influence and Health · Misinformation and Its Impacts
| Highly cited | No |
|---|