Polyphonie als Nymphomanie
Filmische Aneignung von präexistenter Musik aus der Perspektive der Metapherntheorie
Bibliographic Data
| ID | 21819150 |
|---|---|
| Authors | Pascal Rudolph (0000-0001-9315-1542, corresponding author) |
| Year | 2023 |
| Volume | 17 |
| Pages | 179-212 |
| Publication date | 2023-09-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Kieler Beiträge zur Filmmusikforschung (JOURNAL) |
| Journal identifiers | ISSN: 1866-4768 • E-ISSN: 1866-4768 |
| Publisher | Sachsische Landesbibliothek, Staats- und Universitatsbibliothek Dresden (PUBLISHER) |
| DOI | 10.59056/kbzf.2023.17.p179-212 |
| OpenAlex | W4386443919 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
Using Bach's »Ich ruf zu dir, Herr Jesu Christ« in NYMPHOMANIAC as an example and drawing on metaphor theory, the paper shows that pre-existing music in film comprises simultaneously a cinematic recontextualization of music and its musical editing for the film. Following this, the idea of an »inexistent pre-existence« is presented as a corrective antithesis to the conventional designations of this phenomenon such as »pre-composed music«, »pre-existing music« or »musical quotations«. The concept of »inexistent pre-existence« intends to correct the approach whereby pre-existing film music is reduced to its extra-filmic text (musical scores or extant musical records). Instead, the paper argues for understanding and focusing on the differences between textual variants as a productive music-analytical challenge
Aesthetics · Antithesis · Art · Epistemology · Extant taxon · Linguistics · Literature · Metaphor · Musical · Phenomenon · German Literature and Culture Studies · Historical, Literary, and Cultural Studies · Linguistic research and analysis · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |