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Between Literary Tradition and Narratology

The Wonder of the Observer in the Proem of Longus’ Daphnis and Chloe

Bibliographic Data

ID21819469
AuthorsMarianna Angela Nardi (0000-0001-5690-0014, University of the Republic of San Marino, corresponding author)
Year2025
Volume17
Issue2
Pages322-338
Publication date2025-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTrends in Classics (JOURNAL)
Journal identifiersISSN: 1866-7473 • E-ISSN: 1866-7481
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/tc-2025-0018
OpenAlexW4415351210
LanguageEN
References cited40

In the proem of Longus’ Daphnis and Chloe , an anonymous hunter gazes in wonder at the images painted on a γραφή: the ἱστορία ἔρωτος depicted on the painting stimulates the writing of the four books of the novel. In the phrase ἰδόντα με καὶ θαυμάσαντα, which describes the marveling vision of the anonymous observer, scholars recognize a textual allusion to the profile of Gyges that Plato illustrates in the Republic (2.359c7–360b3). This paper aims to investigate the possible allusion and examine, with a narratological approach, the profile of some amazed observers in the plot of Daphnis and Chloe

Allusion · Phrase · Wonder · Byzantine Studies and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies

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Citation velocityhistorical
Highly citedNo

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