The haptic visuality of financial trading
Bibliographic Data
| ID | 2181967 |
|---|---|
| Authors | Deniz Coral (0000-0001-7678-3273, University of Minnesota, corresponding author) |
| Year | 2024 |
| Volume | 17 |
| Issue | 5 |
| Pages | 567-587 |
| Publication date | 2024-09-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Cultural Economy (JOURNAL) |
| Journal identifiers | ISSN: 1753-0350 • E-ISSN: 1753-0369 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17530350.2024.2323690 |
| OpenAlex | W4399321339 |
| Language | EN |
| References cited | 79 |
This article offers a sideways approach to analyzing market visualizations on trading screens as a part of the sensoryscapes of financial trading. Based on ethnographic research on the trading floor of a market-maker investment bank in Istanbul, I develop an anthropologically driven interdisciplinary lens built on social studies of finance (SSF) and film and media studies. Through this lens, I use ‘haptic’ (Marks, Laura U. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and Senses. Duke University Press) as a key analytic and argue that markets on screens generate a haptic visuality that shapes traders’ bodily, sensuous, affective, and emotional engagements with markets. In this way, I offer an alternative reading of Beunza and Stark’s conceptualization of pattern recognition and re-cognition by bringing it back to the works of Knorr Cetina and Bruegger. I show that traders’ aspirations, intuition, and memories take part in pattern recognition and re-cognition, transforming these experiences into subjective and embodied knowledges and practices. Hence, I expand social scientific studies on financial trading by demonstrating that intersubjective relations with anonymous market actors require self-embedding into market visualizations, through which one can engage with the faces of markets as a face that touches back to the haptic visuality of markets on screens
Business · Economics · Financial system · Haptic technology · Computer Science · Financial Markets and Investment Strategies · Housing Market and Economics · Housing, Finance, and Neoliberalism · Artificial Intelligence
Noise
Making Markets
Ugly Feelings
Liquidated
Arbitraging Japan
Framing Finance
Surface
The Trading Crowd
Remembrance of Repasts
Do Economists Make Markets?
I Swear I Saw This
The Address of the Eye
Market Threads
A Price is a Social Thing
Tools of the trade
An Engine, Not a Camera
Cruel Optimism
Double take
Working Images
The Cultural Politics of Emotion
The Affective Turn
Sensuous Scholarship
Haptic Visuality and Film Narration. Mapping New Women’s Cinema in Spain
Tactile digital ethnography
From Pipes to Scopes
The synthetic color sense of Pipilotti Rist, or, Deleuzian color theory for electronic media art
Visual Field Notes
Banking on words
A material political economy
Money's eyes
How can a seemingly weak state in the financial services industry act strong? The role of organizational policy capacity in monetary and macroprudential policy
Philip Roth's Personae
Haptic media studies
Haptical Cinema
Once More, with Feeling
Markets, bodies, and rhythms
The Restricted Abyss
An Introduction to Market Devices
Out of the Pits
Assembling an Economic Actor
The Market as an Object of Attachment
Markets and Machines
Reflections
Cinema I
Doing Sensory Ethnography
Tactility and Distraction
Real time
Ambiguous numbers
How to Read the Future
Attached to their style
Surface Visions
Beyond Personal Feelings and Collective Emotions
The Market
Traders' Engagement with Markets
Global Microstructures
Back in the bazaar
The distribution of ignorance on financial markets
Organizational ignorance
Economization, part 2
Frames and screens
| Citation velocity | historical |
|---|---|
| Highly cited | No |