Afro-futurism and Black Technopoetics
An Interview with Louis Chude-Sokei
Bibliographic Data
| ID | 21826244 |
|---|---|
| Authors | Elżbieta Binczycka-Gacek (0000-0003-1443-2907), Dariusz Brzostek (0000-0001-8094-5159) |
| Year | 2021 |
| Issue | 3 (49) |
| Pages | 554-561 |
| Publication date | 2021-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Przegląd Kulturoznawczy (JOURNAL) |
| Journal identifiers | ISSN: 1895-975X • E-ISSN: 2084-3860 |
| Publisher | Uniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER) |
| DOI | 10.4467/20843860pk.21.038.14358 |
| OpenAlex | W4210680659 |
| Language | EN |
In your book, The Sound of Culture: Diaspora and Black Technopoetics, you touch upon the issue of Afrofuturism, but in your approach, it is just a part of a more complex case you call Black Technopoetics. Could you explain the term and its connections to Afrofuturism -I mean Afrofuturistic practices and ideas? What differences -if any -do you see in Afrofuturism depending on latitude? What's different in the Caribbean, North America, and Africa
Art · Art history · Humanities · St louis · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|