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Komizm rymów w utworach Andrzeja Waligórskiego. Uwagi wstępne

Bibliographic Data

ID21826564
AuthorsTomasz Korpysz (0000-0001-6578-5839, Cardinal Stefan Wyszynski University in Warsaw, corresponding author)
Year2024
Volume36
Issue1
Pages23-43
Publication date2024-08-07
Open AccessYes
TypeARTICLE
VenueColloquia Litteraria (JOURNAL)
Journal identifiersISSN: 1896-3455 • E-ISSN: 2353-8112
PublisherCardinal Stefan Wyszynski University in Warsaw (PUBLISHER • PL)
DOI10.21697/cl.2024.36.1.2
OpenAlexW4401381697
LanguagePL
References cited1

In the rich literature of humorology, comism induced by the juxtaposition of specially selected words or word combinations in rhyming pairs is very rarely subjected to scientific reflection, although it is relatively osten used in various types of texts (especially satirical, but also children’s texts or songs). Andrzej Waligorski used this comic mechanism very osten in his works. In his analyzed poems, broken rhyme (also called broken and divided rhyme), broken-folded rhyme, homonymous rhyme and repeated rhyme do not occur. On the other hand, on several occasions the author used composed rhyme (e.g.: szyja – ci ja, w pierś się – Engelsie) and allusive rhyme, but most osten he created made up rhymes (e.g.: stolicą – bógwico, plon – maison, kiśli – wymyślił) and stylistic rhymes (wszędy – urzędy, komnacie – gacie, dezynwolturą – kurą, dyrektywy – lewatywy, chabrze – ubabrze, ino – Portofino). The latter, in particular, both from the recipient and the sender require knowledge of a rich vocabulary from a variety of semantic and stylistic fields, as well as developed linguistic competence, including humorous competence. The fragments of works cited in the article undoubtedly prove the true satirical artistry of their author

Art · Comics · Linguistics · Literature · Poetry · Rhyme · Vocabulary · Diverse Academic Research Studies · Education and Cultural Studies · Language and Culture · Philosophy

Highly citedNo

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