Znaki na czarnym płótnie, czyli o estetyce przemijającego piękna i o twórczej melancholii Charles’a Baudelaire’a

[Signs on Black Canvas, or Charles Baudelaire’s Aesthetics of Transient Beauty and Creative Melancholy] This article focuses on Charles Baudelaire’s poetics of negativity which exploits absence, blackness, negation, defectiveness, associated by the poet in a paradigmatic way with melancholy and the aesthetics of transient beauty. The basis of the proposed interpretation is the paradoxical metaphor of luminous blackness (a black sun, a radiance without source, a black star, a black canvas), which the poet exploits in his metatextual works. The paper focuses on poems in which Baudelaire approaches that which is beyond the limits of expressibility and is symbolised by blackness and emptiness. Baudelaire’s melancholic poetry appears as a poetry about poetry, a poetry that is paradoxical in the sense that it contradicts stillness, acedia, and creative stagnation, while retaining its negative dimension, rising up against itself

Aesthetics · Art · Beauty · Linguistics · Literature · Metaphor · Poetics · Poetry · Theology · French Literature and Poetry · Philosophy

• Norwid, Baudelaire i reguły sztuki

  Open Access•Magdalena Siwiec•Teksty Drugie•2020

  Add to list

• Les Fleurs du Mal

  Pierre Dufour•Littérature•1988

  Add to list