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Sumienne oglądanie. Śmieszność i problem uznania w twórczości Tadeusza Różewicza

Bibliographic Data

ID21827078
AuthorsTomasz Mizerkiewicz (0000-0002-4419-5423, Adam Mickiewicz University in Poznań, corresponding author)
Year2022
Issue2 (52)
Pages39-50
Publication date2022-01-01
Open AccessYes
TypeARTICLE
VenueWielogłos (JOURNAL)
Journal identifiersISSN: 1897-1962 • E-ISSN: 2084-395X
PublisherUniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER)
DOI10.4467/2084395xwi.22.003.15876
OpenAlexW4312556792
LanguagePL
References cited2

The Conscientious Watching. The Ridiculousness and the Problem of Recognition in Tadeusz Różewicz’s Oeuvre The article discusses the possibility of employing the definition of humour as “a conscientious watching”(proposed by Bolesław Prus) to encompass the “serious”lyric and the poetic “smiles”of Tadeusz Różewicz. The relation between the ridiculousness and the recognition in his oeuvre is analysed, whereas the “recognition”in literature is to be understood – according to Rita Felski – as a type of affected engagement, perceptive impressions and aesthetically mediated ties. In this context and in accordance with Felski’s suggestion, the methods of “reenacting”the struggles for recognition in Różewicz’s prose as well as poetry were discussed

Art · Literature · Poetry · Computer Science · Diverse Academic Research Studies · History · Language and Culture · Philosophy · Polish-Jewish Holocaust Memory Studies · Psychology

  • Reification

    A Honneth, Martin Jay•Reification•2008

  • Recognizing Class

    Rita Felski•New Literary History•2021

Highly citedNo

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Open DOIOpen Access
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