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Contemporary Polish Documentaries on the Volhynian Tragedy

A Reinterpretation of the Historical Narrative

Bibliographic Data

ID21827334
AuthorsOlena Rosinska (0000-0003-4460-0668, Kyiv National Economic University named after Vadym Hetman, corresponding author)
Year2025
Pages1-17
Publication date2025-11-07
Open AccessYes
TypeARTICLE
VenuePostscriptum Polonistyczne (JOURNAL)
Journal identifiersISSN: 1898-1593 • E-ISSN: 2353-9844
PublisherUniversity of Silesia in Katowice (PUBLISHER • PL)
DOI10.31261/ps_p.2025.35.05
OpenAlexW4415997811
LanguageEN
References cited7

This article examines the narratives describing the 1943 events in Volhynia as portrayed in Polish and Ukrainian documentary films. While documentaries are often regarded as objective sources of information, they also play a powerful role in shaping public consciousness and everyday historical understanding. The Volhynia events hold profound significance for both Polish and Ukrainian audiences. However, the interpretations presented in these films reflect two divergent historical perspectives. Analyzing these narratives – particularly the recurring themes and propaganda techniques – provides a deeper insight into how historical memory is constructed and exprssed. This process is vital for understanding current Polish-Ukrainian relations. Additionally, viewer responses to the films are analyzed separately, as they reveal how historical issues are politicized and emotionally charged, often being transferred uncritically into the present-day discourse

Comparative historical research · Consciousness · Historical memory · Narrative · Narrative history · Reinterpretation · Ukrainian · Eastern European Communism and Reforms · Memory, Trauma, and Commemoration · Soviet and Russian History

  • Poza narracją i fabułą – „Visitors” Godfreya Reggio jako przykład niefikcyjnego kina „avant-doc”. Typologie filmu dokumentalnego

    Open Access•Piotr Zawojski•Kwartalnik Filmowy•2023

Highly citedNo

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