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Inhabiting Time

Towards A Heterophony of Temporalities and Traditions

Bibliographic Data

ID21828361
AuthorsSandeep Bhagwati (corresponding author)
Year2021
Volume41
Issue1
Pages57-67
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueIntersections Canadian Journal of Music (JOURNAL)
Journal identifiersISSN: 1911-0146 • E-ISSN: 1918-512X
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1114851ar
OpenAlexW4405240562
LanguageEN
References cited2

In this text, the author argues that heterophony is not just the unkempt shadow of polyphony. On the contrary: its vaguely defined “otherness” opens up new potentials for musicking—especially if we ask how we could conceive of music other than through synchrony, the principle that underpins central musical features such as consonance, harmony, beat, and groove. The world around us is not usually wrought from synchrony. Rather, the vast range of timescales from particle physics to cosmology that traverse us do not rely on synchronized polyphony to deeply impact future life on this planet. Therefore, might musicking in temporal heterophony offer us new ways of being and of listening—a renewed sensibility for the temporalities we inhabit and impact

Aesthetics · Art · Epistemology · Geography · Political science · Sociology · Temporalities · Temporality · History · Law · Philosophy · Religious Tourism and Spaces · Travel Writing and Literature

  • Improvised Music after 1950

    George E Lewis, George Lewis•Black Music Research Journal•1996

Highly citedNo

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