Crease
Bibliographic Data
| ID | 21828909 |
|---|---|
| Authors | Maria Gil Ulldemolins (0000-0001-9497-9659, Hasselt University), Kris Pint (0000-0002-5273-0211, Hasselt University) |
| Year | 2022 |
| Volume | 17 |
| Issue | 1 |
| Publication date | 2022-10-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Phenomenology & Practice (JOURNAL) |
| Journal identifiers | ISSN: 1913-4711 • E-ISSN: 1913-4711 |
| Publisher | University of Alberta Libraries (PUBLISHER) |
| DOI | 10.29173/pandpr29452 |
| OpenAlex | W4300003464 |
| Language | EN |
| References cited | 4 |
This experimental paper proposes a shared exploration of the crease as a tactile, existential, and artistic phenomenon. It takes Roland Barthes’ definition of his left-handedness as “a tenuous and persistent crease” as a basis. Hence, this phenomenon is a minor but stubborn mark on the self, a superficial matter. In order to portray an intimate and personal approach to the subject, this paper is written in first person. This “I”, though, is plural, a result of a collaboration. As part of the methodology developed to create this polyphonic voice, the paper is structured in a non-linear fashion. After each section, the reader can choose how to proceed. The imposed choices reveal the materiality of the text - they establish points of friction and awareness for a reader; and weave different discursive lines and surfaces. The aim is to allow the format to contribute to the definition of the crease, beyond images and excerpts in the content
Aesthetics · Art · Epistemology · Existentialism · Linguistics · Literature · Phenomenon · Plural · Polyphony · Sociology · Subject matter · Visual arts · Discourse Analysis and Cultural Communication · Literary Analysis and Cultural Studies · Literature, Culture, and Aesthetics · Philosophy
| Highly cited | No |
|---|