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What Indigenous Literatures Have to Do with Decolonization

Selections from Marilyn Dumont’s A Really Good Brown Girl (1996) and The Pemmican Eaters (2015)

Bibliographic Data

ID21829252
AuthorsChinelo Ezenwa (Western University, corresponding author)
Year2023
Volume3
Issue3
Pages67-86
Publication date2023-12-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueALTERNATIVE FRANCOPHONE (JOURNAL)
Journal identifiersISSN: 1916-8470 • E-ISSN: 1916-8470
PublisherUniversity of Alberta Libraries (PUBLISHER)
DOI10.29173/af29499
OpenAlexW4389833189
LanguageEN
References cited11

This article explores selected poems from Dumont’s A Really Good Brown Girl and The Pemmican Eaters as critical works that address dual aspects of Indigenous decolonization struggles. While the poems from A Really Good Brown Girl adopt the language/poetics of resistance to critique cultural and linguistic discrimination, The Pemmican Eaters focuses on reclaiming and regenerating the author’s Indigenous identity. One of the strategies common to the poems is the repositioning of former derogatory terms to reclaim the Indigenous affirming meanings and histories of these words. By representing these words and memories through a Cree Métis perspective, Dumont subverts popular colonial myths and shows the truth about settler-colonization to the colonizer. Dumont’s poems offer a strong and direct critique of settler-colonization as well as the colonizer’s attempts to control Indigenous bodies and worldviews. And by so doing, they demonstrate the connections between literary activism and ongoing Indigenous journeys to sovereignty

Aesthetics · Archaeology · Art · Colonialism · Decolonization · Girl · Indigenous · Literature · Mythology · Poetics · Poetry · Political science · Politics · Sociology · Sovereignty · Gender Studies · History · Indigenous Health, Education, and Rights · Law · Psychology · Ecology

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    Anna Mongibello•British Journal of Canadian Studies•2015

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Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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