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The Theme of “Progress” in Australian and Chinese Cultures

Bibliographic Data

ID21829380
AuthorsChunyan Zhang (0000-0003-0294-4331, Beijing Normal University, corresponding author)
Year2020
Volume12
Issue1
Pages35
Publication date2020-04-08
Open AccessYes
TypeARTICLE
VenueAsian Culture and History (JOURNAL)
Journal identifiersISSN: 1916-9655 • E-ISSN: 1916-9663
PublisherCanadian Center of Science and Education (PUBLISHER)
DOI10.5539/ach.v12n1p35
OpenAlexW3015241395
LanguageEN

This paper discusses the theme of “progress” in Australian and Chinese cultures in the period of 1920s and 1930s. During this period, both cultures had an outpouring of patriotic and sentimental feelings. In this social context, both cultures constructed a theme of “progress” – the transformation of natural environment with human power, or the active participation in social life, for the purpose of “civilization”, a concept closely connected with the idea of social engagement, transformation and modernization. In Australia, this ideology was a continuation of the old idea of transforming “untamed” nature and bringing material progress through human labour; in China, it was a new theme which betrayed the old “reclusive” spirit. In Australia, it is represented most clearly in film, in China, it is represented in both film and painting

Aesthetics · Archaeology · Art · China · Civilization · Environmental ethics · Epistemology · Feeling · Ideology · Modernization theory · Political science · Politics · Sociology · Australian History and Society · History · Law · Philosophy

Highly citedNo

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