Embodiment, Autoethnography, Performance Poetry

This presentation offers neurodivergence embodied, autoethnography, and performance poetry. The confluence of acquiring severe traumatic brain injury combined with exposure to concepts and paradigms while pursuing a graduate degree in Disability Studies, catalyzed emergence and triggered development of my disabled identity. The brain damage acquired causes issues of decoding/deciphering/processing, which in turn triggers and/or produces episodes of temporal dissonance. When these shifts in timing occur, they have tremendous impact on rational thought processes and emotional stability. The salient aspects of my new life – emotional sensitivity and volatility – may on the surface seem detrimental and undesirable; however, I celebrate these qualities as they greatly enhance my identification with and empathy for others, which in turn drive my artistic, social, cultural, political expression, quest for community and belonging. While temporal dissonance is unlikely to occur during this planned short presentation, I will relate and provide the audience with windows on largely hidden and little understood forms of impairment. Note: To hear recitation of some of these poems, check out fellow VIBE presenter Cheryl Green’s podcast: http://whoamitostopit.com/pigeonhole-podcast-17-autoethnographic-poetry/ The original presentation at VIBE was accompanied by music from Miles Davis and Marcus Miller’s 1987 album Music from Siesta. Readers are encouraged to listen to this album via their music platform of choice while reading the following poetry. Youtube link to the album: https://www.youtube.com/watch?v=ZuvtNL_jyeQ

Aesthetics · Art · Autoethnography · Cognitive dissonance · Embodied cognition · Literature · Narrative · Poetry · Psychoanalysis · Sociology · Gender Studies · Psychology · Social Psychology · Traumatic Brain Injury Research