Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

In the dark cube

Movie theater context enhances the valuation and aesthetic experience of watching films

Bibliographic Data

ID21832467
AuthorsKerstin Fröber (0000-0001-6060-2837), Roland Thomaschke (0000-0003-1251-4183)
Year2021
Volume15
Issue3
Pages528-544
Publication date2021-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePsychology of Aesthetics Creativity and the Arts (JOURNAL)
Journal identifiersISSN: 1931-3896 • E-ISSN: 1931-390X
PublisherAmerican Psychological Association (APA) (PUBLISHER)
DOI10.1037/aca0000295
OpenAlexW2995438726
LanguageEN
Citations received1
References cited14

There is a worldwide increase in feature film releases each year. While a theatrical release is still the primary release form, more and more films are watched via online streaming in home cinemas. Watching films at home is unquestionably high in convenience, but an understudied question is, how this shift in context-from the movie theater to the home cinema-affects the cinematic experience while watching a feature film. To test this, aesthetic emotions and the overall judgment of the cinematic experience were compared between watching a film in a movie theater or home cinema. In line with cognitive models of art appreciation, it was found that a movie theater context leads to a stronger emotional experience and a more favorable judgment. Only boredom was felt stronger in the home cinema. This movie theater effect persisted during a second viewing, regardless of context. These results have theoretical and practical implications for empirical aesthetics, movie fans, and the movie industry

Advertising · Aesthetics · Art · Business · Geometry · Visual arts · Aesthetic Perception and Analysis · Cinema and Media Studies · History · Mathematics · Media Influence and Health · Psychology

  • Unraveling the interplay of emotions in art and music

    Open Access•Francesco De Benedetto, Eleonora Ghiraldini et al.•Psychology of Music•2025

  • The Distancing-Embracing model of the enjoyment of negative emotions in art reception

    Open Access•Winfried Menninghaus, Valentin Wagner et al.•Behavioral and Brain Sciences•2017

  • Move me, astonish me… delight my eyes and brain

    Open Access•Matthew Pelowski, Patrick S Markey et al.•Physics of Life Reviews•2017

  • Transportation Across Media

    Melanie C Green, Sheryl Kass et al.•Media Psychology•2008

  • Measuring aesthetic emotions

    Open Access•Ines Schindler, Georg Hosoya et al.•PLoS ONE•2017

  • What are aesthetic emotions?

    Winfried Menninghaus, Valentin Wagner et al.•Psychological Review•2019

  • Moviegoing in the Netflix Age

    Open Access•Alec C Tefertiller•Communication & Society•1970

  • Enjoyment

    Open Access•Peter Vorderer, Christoph Klimmt et al.•Communication Theory•2004

  • Appreciation as Audience Response

    Open Access•M B Oliver, Anne Bartsch•Human Communication Research•2009

  • A museum for the twenty-first century

    Martin Tröndle, Stéphanie Wintzerith et al.•Museum Management and Curatorship•2012

  • Film consumption in the 21st century

    Open Access•Karina Aveyard•Media International Australia•2016

  • A model of aesthetic appreciation and aesthetic judgments

    Open Access•Helmut Leder, Benno Belke et al.•British Journal of Psychology•2004

  • Ten years of a model of aesthetic appreciation and aesthetic judgments

    Open Access•Helmut Leder, Maria Nadal et al.•British Journal of Psychology•2014

  • Presence and television

    Open Access•M Lombard, Rd Reich et al.•Human Communication Research•2000

  • The Temporal and Focal Dynamics of Volitional Reconsumption

    C A Russell, Sidney J Levy•Journal of Consumer Research•2012

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae