Viewer Engagement in a Dystopian Puzzle TV Series
Dramatic Irony and Surprise in Season 1 of Severance
Bibliographic Data
| ID | 21833432 |
|---|---|
| Authors | Cynthia Cabañas (0000-0002-2920-3907), Héctor J Pérez (0000-0002-1789-6355) |
| Year | 2025 |
| Volume | 19 |
| Issue | 2 |
| Pages | 3-24 |
| Publication date | 2025-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Projections (JOURNAL) |
| Journal identifiers | ISSN: 1934-9688 • E-ISSN: 1934-9696 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/proj.2025.190202 |
| OpenAlex | W4414311849 |
| Language | EN |
| References cited | 4 |
This article explores how narrative strategies—specifically dramatic irony and surprise—shape viewer engagement in the first season of the dystopian puzzle TV series Severance (Apple TV+, 2022–). It examines how these devices manage cognitive load and information distribution to influence both anticipatory and retrospective engagement. The analysis focuses on how dramatic irony and surprise operate within the temporal prolongation and multiplot structures of serialized television. Dramatic irony sustains engagement by creating a knowledge advantage for the viewer, prompting proactive and reactive inferences. Surprise, conversely, disrupts expectations and triggers cognitive restructuring as viewers re-evaluate earlier narrative events. We show how Severance strategically regulates information flow and viewer assumptions to deliver impactful plot twists that deepen character engagement and explore themes of identity and control. As a case study, the series highlights how streaming-era narratives leverage slow-building mysteries and strategic information management to balance emotional tension with cognitive complexity
Dystopia · Irony · Narrative · Restructuring · Surprise · Digital Games and Media · Gothic Literature and Media Analysis · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|