Varieties of Digital Literary Studies
Micro, Macro, Meso
Bibliographic Data
| ID | 21835883 |
|---|---|
| Authors | Simone Murray (0000-0001-6213-2146, corresponding author) |
| Year | 2022 |
| Volume | 16 |
| Issue | 2 |
| Publication date | 2022-05-02 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Digital humanities quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1938-4122 • E-ISSN: 1938-4122 |
| Publisher | The Association for Computers and the Humanities (PUBLISHER) |
| DOI | 10.63744/b7ygdntfqk9n |
| OpenAlex | W7139964137 |
| Language | EN |
Digital literary studies constitutes a broad church. However, the field tends to divide into, at one pole, quantitative, macro-level studies of historical literary texts and, at the other pole, close-readings of individual born-digital literary works, typically hyper-avant-garde in conception. There is, in practice, little interplay between the two groupings. This article sketches a proposed meso space in between the two extant levels. Drawing on methods from book history, literary sociology, cultural studies, and digital media theory, this mid-level approach examines digital technology’s role in recasting the institutions of contemporary mainstream literature: the impact of powerful new digital intermediaries; the blurring of author/reader/reviewer roles; and the continued existence of print artefacts within online environments
Digital media · Extant taxon · Literary criticism · Mainstream · Digital Games and Media · Digital Humanities and Scholarship · Publishing and Scholarly Communication
| Citation velocity | historical |
|---|---|
| Highly cited | No |