“Disinclined to Politicize”? Music and Canadian Politics 2.0
Bibliographic Data
| ID | 21836086 |
|---|---|
| Authors | Rebecca Draisey-Collishaw (0000-0002-3187-7564, University of Sheffield), Kip Pegley (Queen's University) |
| Year | 2023 |
| Volume | 17 |
| Issue | 2 |
| Publication date | 2023-09-05 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music and Politics (JOURNAL) |
| Journal identifiers | ISSN: 1938-7687 • E-ISSN: 1938-7687 |
| Publisher | University of Michigan Library (PUBLISHER • US) |
| DOI | 10.3998/mp.4571 |
| OpenAlex | W4386453978 |
| Language | EN |
| References cited | 20 |
Musicians, scholars, and even reference materials are surprisingly united in the contention that music and politics occupy separate spheres in Canada. However, we suggest that denying the intersection of music and politics in Canada potentially blinds us to the complex ways in which artists, mediators, and audiences—that is, produsers—participate in projects that are undeniably ideological. Indeed, we suggest that appreciating the entwined relationship of music, politics, people, and contexts for circulation is particularly important at a moment when the participatory culture that prevails on social media platforms is increasingly normalised and the authority of established knowledge sources breaks down in the face of “controlless” circulations of content that radically challenge our capacities to communicate across partisan lines. Our analysis takes the form of three case studies: Tony Turner’s “Harperman” (2015), Adrian Sutherland’s “Politician Man” (2019), and Brock Tyler’s “Speaking Moistly” (2020). Our analysis interprets each example according to musical form, lyrics, creator intentions, and genre affiliations but, critically, also addresses how contexts for circulation, curation by produsers, and the affect of musicking illuminates kaleidoscopic meanings that accrue through the complex interactions of music and politics—meanings, notably, that cannot be discerned through a focus on the musical object or political landscape alone
Aesthetics · Art · Citizen journalism · Ideology · Linguistics · Literature · Lyrics · Media studies · Musical · Political science · Politics · Social science · Sociology · Artistic and Creative Research · Diverse Musicological Studies · Law · Music History and Culture · Philosophy
The International Encyclopedia of Communication Theory and Philosophy
The Oxford Handbook of Political Communication
Peace, Order, and Good Songs
Reuters Institute Digital News Report 2015
Memes, scenes and #ELXN2019s
Public servants, anonymity, and political activity online
Give Peace a Chant
Hungry listening resonant theory for indigenous sound studies
The social construction of reality
Striking a Responsive Chord
How Canadians Communicate IV
Sing a Song of Social Significance
Genre, Intertextuality, and Social Power
From Consumer to Prosumer to Produser
Political Parody and the Politics of Ambivalence
| Citation velocity | historical |
|---|---|
| Highly cited | No |