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The Great War from the Periphery

Representing and Remembering the First World War in Swedish and Chilean War Museums

Bibliographic Data

ID21838271
AuthorsStefan Aguirre Quiroga (0000-0001-6305-8048, University of Gothenburg, corresponding author)
Year2025
Volume16
Issue3
Pages297-313
Publication date2025-09-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFirst World War Studies (JOURNAL)
Journal identifiersISSN: 1947-5020 • E-ISSN: 1947-5039
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19475020.2025.2545267
OpenAlexW4413190613
LanguageEN
References cited24

Scholarship on the representation of the First World War in war museums in countries who fought during the war has grown exponentially in the last three decades. Less attention has been given to how the war is represented in countries who were not involved in the conflict. This article examines the museal representation of the First World War through a comparative analysis of exhibits in war museums in two countries that maintained their neutrality during the war: Sweden and Chile. Whose memory is present in these exhibits? This article concludes that war museums in Sweden and Chile present diverging but reductive representations of the war, drawing on old memory tropes and clichés. The Swedish display of the First World War is critical and encourages self-reflection about the nature of war, following a European cosmopolitan memory. The Chilean display is influenced by an internationalisation of European war memory, facilitating the visitor’s emotional distance to the war. No explanation for the country’s choice to stay neutral in the conflict is provided by either museum although each country’s experience of the war is explored

Ancient history · Archaeology · Economic history · First world war · Political science · Spanish Civil War · World War II · History · Memory, Trauma, and Commemoration · Museums and Cultural Heritage · Visual Culture and Art Theory

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Citation velocityhistorical
Highly citedNo

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