Como se cria uma figura de retórica visual
Bibliographic Data
| ID | 21849232 |
|---|---|
| Authors | Jean-Marie Klinkenberg (0000-0001-5613-3660, University of Liège, corresponding author) |
| Year | 2025 |
| Volume | 21 |
| Issue | 2 |
| Pages | 30-59 |
| Publication date | 2025-08-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudos Semióticos (JOURNAL) |
| Journal identifiers | ISSN: 1980-4016 • E-ISSN: 1980-4016 |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/issn.1980-4016.esse.2025.233870 |
| OpenAlex | W4413780176 |
| Language | PT |
It's common to distinguish between two types of rhetoric: the rhetoric of argumentation and the rhetoric of figures. Although figures are one of the most important instruments of argumentation, we will deal with them here within a semiotic framework. To begin with, we will remain at a general level, applying to verbal language as well as to images, and ask ourselves which semiotic tools we need to describe the mechanisms of a figure. There are three of them: the pragmatic concept of cooperation, the semantic concept of isotopy, and the very general concept of articulation (articulation being the property of a semiotic unit to subdivide into smaller units). As far as the mechanism of the figure is concerned, it is a four-stage process that explains the cognitive and innovative effects of the figure. We will then ask whether the image has the necessary properties to produce a figure. This will be demonstrated using a specific image. We will then explore the world of visual figures, raising the epistemological question of the validity of transposing terminologies developed for verbal language to images
Art · Humanities · Cultural, Media, and Literary Studies · Urban and sociocultural dynamics · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |