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Como se cria uma figura de retórica visual

Bibliographic Data

ID21849232
AuthorsJean-Marie Klinkenberg (0000-0001-5613-3660, University of Liège, corresponding author)
Year2025
Volume21
Issue2
Pages30-59
Publication date2025-08-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEstudos Semióticos (JOURNAL)
Journal identifiersISSN: 1980-4016 • E-ISSN: 1980-4016
PublisherUniversidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER)
DOI10.11606/issn.1980-4016.esse.2025.233870
OpenAlexW4413780176
LanguagePT

It's common to distinguish between two types of rhetoric: the rhetoric of argumentation and the rhetoric of figures. Although figures are one of the most important instruments of argumentation, we will deal with them here within a semiotic framework. To begin with, we will remain at a general level, applying to verbal language as well as to images, and ask ourselves which semiotic tools we need to describe the mechanisms of a figure. There are three of them: the pragmatic concept of cooperation, the semantic concept of isotopy, and the very general concept of articulation (articulation being the property of a semiotic unit to subdivide into smaller units). As far as the mechanism of the figure is concerned, it is a four-stage process that explains the cognitive and innovative effects of the figure. We will then ask whether the image has the necessary properties to produce a figure. This will be demonstrated using a specific image. We will then explore the world of visual figures, raising the epistemological question of the validity of transposing terminologies developed for verbal language to images

Art · Humanities · Cultural, Media, and Literary Studies · Urban and sociocultural dynamics · Visual Culture and Art Theory

Citation velocityhistorical
Highly citedNo

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