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A woman's right is a goddess's right? The meaning and function of the image of Helen in the poetry of Sappho (in light of recent papyrology’s discoveries)

Bibliographic Data

ID21864862
AuthorsTimothey Myakin (0000-0001-5842-2810, Novosibirsk State University, corresponding author)
Year2020
Volume14
Issue1
Pages184-206
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueΣΧΟΛΗ Ancient Philosophy and the Classical Tradition (JOURNAL)
Journal identifiersISSN: 1995-4328 • E-ISSN: 1995-4336
PublisherNovosibirsk State University (NSU) (PUBLISHER)
DOI10.25205/1995-4328-2020-14-1-184-206
OpenAlexW3036227451
LanguageEN
References cited4

The image of the Helen in Sapph. Fr. 16 (Neri–Cinti) is analyzed in detail on the basis of the new papyrus fragments which were published by Dirk Obbink (Obbink, 2016a). According to the results of the comparative analysis, it is concluded that the form of the aoristic active participle from the verb περιέχειν, which is used in Sapph. Fr. 16, refers not only to the vocabulary of Homer, but also to the vocabulary of legal documents (cf.: Hom. Il. XV, 653–654; Hellanic., Fr. 31, 50 Jacoby; IG XII(2), No58, 8–9 etc.). Thus, we confirm a special significance of the Sapph. Fr. 16, which is a "program" song of Sappho’s thiasos (cf. Bierl, 2003)

Art · Biology · Epistemology · Linguistics · Literature · Papyrus · Participle · Poetry · Verb · Vocabulary · Classical Antiquity Studies · Historical and Linguistic Studies · Historical, Religious, and Philosophical Studies · History · Philosophy · Genetics

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    Eva-Maria Hamm•Grammatik Zu Sappho und Alkaios•1957

  • Refractions of Homer's Helen in Archaic Lyric

    Ruby Blondell•The American Journal of Philology•2010

  • Diogenis Laertii Vitae Philosophorum

    Phillip De Lacy, Howard Long et al.•The Classical World•1965

  • Ritual Performance as Training for Daughters in Archaic Greece

    Wayne B Ingalls•Phoenix•2000

Highly citedNo

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