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American Cinema, FBI and Propaganda

The Image of the Internal Enemy (1941–1942)

Bibliographic Data

ID21866135
AuthorsYaroslav Levin (0000-0001-8805-8220, Copiah-Lincoln Community College, corresponding author)
Year2023
Issue1
Pages229-239
Publication date2023-03-01
Open AccessYes
TypeARTICLE
VenueVestnik Volgogradskogo gosudarstvennogo universiteta Serija 4 Istorija Regionovedenie Mezhdunarodnye otnoshenija (JOURNAL)
Journal identifiersISSN: 1998-9938 • E-ISSN: 2312-8704
PublisherVolgograd State University (PUBLISHER • RU)
DOI10.15688/jvolsu4.2023.1.21
OpenAlexW4324195601
LanguageEN
References cited5

Introduction. The period 1941–1942 became a time when American art was rapidly rebuilt on “military rails.” Cultural figures in every way reinforced the morale of American soldiers and were engaged in justifying various actions of the government through a more accessible and understandable language of artistic narrative. Methods and materials. The rich material of the archive of the FBI, the army and other US security services allows a better look at how the cinema obeyed the propaganda needs of the warring power. The article is based on the principles of historicism and systematics, as well as the methods of historical comparativistics and imagology (discourse-analysis, analysis of audiovisual representation and some others). Analysis and results. It is quite clear that cinema played a special role in these processes – the most massive and popular type of art, which in the previous two decades became the most common form of leisure for Americans. This article is devoted to the use of cinema to justify the initially extremely unpopular measure of the American government to intern the Japanese in concentration camps in the light of the entry of the United States into World War II

Adversary · Aesthetics · Art · Computer security · Linguistics · Literature · Media studies · Movie theater · Narrative · Political science · Politics · Sociology · Asian Culture and Media Studies · Computer Science · European history and politics · History · Law · Philosophy · Vietnamese History and Culture Studies

  • Encyclopedia of Japanese American Internment

    Gary Y Okihiro•Encyclopedia of Japanese American…•2013

  • We'll Always Have the Movies

    Open Access•Aaron J Stockham•The Journal of Popular Culture•2007

  • American Air Strategy in China, 1939-1941

    Open Access•Michael Schaller•American Quarterly•1976

  • OWI Meets the Monsters

    Rick Worland•Cinema Journal•1997

  • The Colonel and the Pacifist

    Eileen H Tamura, Klancy Clark De Nevers•Western Historical Quarterly•2005

Highly citedNo

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