Ukrainian Culture After February 24, 2022
A Victim Condemned to War or a Phoenix Rising from the Ashes
Bibliographic Data
| ID | 21868949 |
|---|---|
| Authors | Julia Romanenkova (0000-0001-6741-7829, Borys Grinchenko Kyiv Metropolitan University), Natalia Kolosova, Н Г Колосова (0000-0003-2398-8544, State University "Kyiv Aviation Institute") |
| Year | 2024 |
| Volume | 19 |
| Issue | 36 |
| Pages | 446-460 |
| Publication date | 2024-05-20 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Calle 14 revista de investigación en el campo del arte (JOURNAL) |
| Journal identifiers | ISSN: 2011-3757 • E-ISSN: 2145-0706 |
| Publisher | Universidad Distrital Francisco Jose de Caldas (PUBLISHER • CO) |
| DOI | 10.14483/21450706.21745 |
| OpenAlex | W4400875941 |
| Language | EN |
The article aims to outline the state of artistic processes in Ukraine since February 24, 2022, the date on which Russia's full-scale invasion began. It characterizes a brief period of upheaval, a kind of silence in culture, during which artists were confronted with a crossroads, of being or not being, as well as with the question of self-identification and the determination of perspectives: To form a new system of national orientation, a cultural code, or to direct energy to the survival and transformation of goals? abandoning art to its fate? It considers the complex set of aspects that led to a boom in artistic activity in mid-2022 and the first half of 2023 while outlining the culture-shaping factors and stimuli of the artistic life of Ukrainians. It also analyzes the processes that currently sustain the Ukrainian art scene: the constant disappearance of existing works of art and the organization of exhibitions within Ukraine to preserve the artistic life of the country
Ancient history · Archaeology · Phoenix · Political science · Ukrainian · European and Russian Geopolitical Military Strategies · History · Philosophy · Security, Politics, and Digital Transformation
| Highly cited | No |
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