Punk, Pan and the shadow
A Jungian approach to existential-punk
Bibliographic Data
| ID | 21873302 |
|---|---|
| Authors | Grace Healy (0000-0001-8398-1390, Film Independent, corresponding author) |
| Year | 2025 |
| Volume | 14 |
| Issue | 3 |
| Pages | 327-342 |
| Publication date | 2025-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Punk & Post Punk (JOURNAL) |
| Journal identifiers | ISSN: 2044-1983 • E-ISSN: 2044-3706 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/punk_00297_1 |
| OpenAlex | W4412481535 |
| Language | EN |
| References cited | 3 |
This article draws on Carl Jung’s psychoanalytic model of the psyche to enrich the existing scholarship on punk and philosophy. Aspects of punk subculture embody the central tenet of existentialism: the elevation of personal authenticity is key to meaningful existence. Psychoanalytic theory’s central premise – that the psyche contains both a conscious and unconscious realm – strengthens existentialism’s claim: the elevation of personal authenticity is key to meaningful existence, but one can only achieve this through confrontation with deeply repressed instincts and drives residing in the unconscious. The punk subculture, with its resemblance to the ancient Greek god ‘Pan’, offers confrontation with repressed material and therefore a route to authenticity. Engagement with punk is an opportunity for western consciousness to incorporate Pan and those qualities associated with him back into consciousness, allowing us to embrace, on both a personal and collective level, our own Pan qualities within
Art · Art history · Epistemology · Existentialism · Psychoanalysis · Punk · Jungian Analytical Psychology · Philosophy · Psychology · Psychotherapy Techniques and Applications
| Citation velocity | historical |
|---|---|
| Highly cited | No |