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Artisanal collaborations in the Mexican fashion industry

The case of Otomí embroiderers and Carla Fernández

Bibliographic Data

ID21875362
AuthorsBrenda Mondragón-Toledo (0000-0002-8035-5498, Benemérita Universidad Autónoma de Puebla, corresponding author)
Year2024
Volume11
Issue2
Pages305-319
Publication date2024-07-01
Open AccessNo
TypeARTICLE
VenueFashion Style & Popular Culture (JOURNAL)
Journal identifiersISSN: 2050-0726 • E-ISSN: 2050-0734
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/fspc_00238_1
OpenAlexW4391879993
LanguageEN
References cited5

The present article aims to demonstrate the intersected relations between Indigenous communities and designers in the fashion industry. These interrelations are explained through a case study between Dotnit, an Otomí embroidery cooperative, and the Mexican designer Carla Fernández. An extensive multi-sited ethnography was carried out between 2013 and 2017 in Tenango de Doria, Hidalgo, and Mexico City. Both places were explored with the purpose of understanding the complex relationships between the local and the global through the introduction of tenango embroidery into the fashion world. This research aims to understand the consumption of Indigenous textiles in a glocalized world by following the paths of diversion that tenango embroidery navigates through artisans, designers and consumers. Through the article, interrelationships among different agents will be examined in an effort to understand the complexities within artisan–designer dynamics

Biology · Botany · Business · Fern · Geography · Political science · Crafts, Textile, and Design · Cultural Industries and Urban Development · Fashion and Cultural Textiles

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