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Roots of Digital Cumbia in Sound System Culture

Sonideros, Villeros, and the Transformation of Colombian Cumbia

Bibliographic Data

ID21876202
AuthorsMoses Iten (0009-0003-4094-5922, RMIT Europe, corresponding author)
Year2021
Volume8
Issue1
Publication date2021-08-13
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of World Popular Music (JOURNAL)
Journal identifiersISSN: 2052-4900 • E-ISSN: 2052-4919
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/jwpm.43089
OpenAlexW3194908429
LanguageEN
References cited19

Digital cumbia was celebrated globally in the late 2000s as a new form of Latin American electronic dance music mixed with the Colombian folk music of cumbia. Celebrated by the media as a new phenomenon due to new computer software and internet access, this article instead establishes how cumbia had already become digital in the sonidera (“sound system”) culture of Mexican barrios (“ghettos”). The author is a DJ/producer with more than fifteen years of practice linked to cumbia, global electronic popular music, and sound system culture. The implications of this double-background as practitioner and researcher are reflected in a DJ-as-researcher approach to multi-sited ethnographic fieldwork and musical analysis. The theoretical framework is based on “sounding”, a model for understanding the interaction of corporeal, material and sociocultural elements in sound system culture. This reveals how Mexican sonideros (“sound system operators”) created cumbia sonidera (“sound system cumbia”) by slowing the tempo of the original Colombian recordings in response to the dancing public. To hear this transformation of cumbia, several examples of the seminal cumbia track ‘Cumbia Sampuesana’ are presented, from its origins in 1940s Colombia, to cumbia sonidera in 1990s Mexico, and cumbia villera (“ghetto cumbia”) in early 2000s Argentina

Acoustics · Art · Ethnography · Media studies · Musical · Popular culture · Popular music · Sociocultural evolution · Sociology · Sound system · The Internet · Visual arts · World Wide Web · Anthropology · Computer Science · Diverse Musicological Studies · History · Music History and Culture · Music Technology and Sound Studies

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Citation velocityhistorical
Highly citedNo

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