Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Playing Out

Exploring How Liverpool’s Live Music Sector Adapted to Survive the Impact of the Covid-19 Pandemic

Dados Bibliográficos

ID21876223
AutoresMathew Flynn (0000-0001-7087-0165, University of Liverpool), Richard Anderson (0000-0002-7283-7219, University of Liverpool)
Ano2022
Volume9
Fascículo1-2
Data de publicação2022-06-22
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoJournal of World Popular Music (JOURNAL)
Identificadores do periódicoISSN: 2052-4900 • E-ISSN: 2052-4919
EditoraEquinox Publishing (PUBLISHER • GB)
DOI10.1558/jwpm.23349
OpenAlexW4283328842
IdiomaEN
Citações recebidas2
Referências citadas23

Drawing on the findings of practitioner group consultations (n=49) and an online survey of music makers (n=37), this article illustrates the devastating impact of 18 months without full-capacity live events on the financial, musical and social wellbeing of the Liverpool City Region’s (LCR) music sector. The analysis shows how uncertainties concerning a return to normal operations, access to funding support, working within socially distanced limitations, and dealing with changing regulations have underlined the live music workers’ experience of the pandemic as well as how a sense of uncertainty persists despite a return to full-capacity events in July 2021. The findings show that digital alternatives partially helped alleviate lockdown’s detrimental effects but, overall, the sector viewed live-streaming as a “stop-gap” incomparable to the conventional concert experience. The research concludes by observing that, despite the numerous practical and economic adaptations and online advances that ensured the sector’s survival, the return to “business as usual” also means a return to pre-pandemic industry economics, which often function to the detriment of the musicians on whom the regional live sector’s operational and financial recovery depend

Art · Business · Economics · Musical · Political science · Public relations · Rate of return · Cinema and Media Studies · Cultural Industries and Urban Development · Sport and Mega-Event Impacts · Finance · Marketing

  • I Felt Like a Normal Human Being”

    Open Access•L Marshall, Martha M Whitfield et al.•Popular Music & Society•2024

  • Building performance capital during hard lockdown

    Open Access•Blanka Brzozowska, Patryk Galuszka•Poetics•2023

  • Music Entrepreneurship

    Allan Dumbreck, G Mcpherson•Music Entrepreneurship•2016

  • The Production and Consumption of Music in the Digital Age

    Amanda Brandellero, Robert C Kloosterman et al.•Production and Consumption of…•2016

  • Birmingham and the (International) Business of Live Music in Times of Covid-19

    Adam Behr, Craig Hamilton et al.•Journal of World Popular Music•2022

  • Life on Pause

    Michaela Anne Neller•Rock Music Studies•2021

  • Journal of the Plague Year

    Gary Burns, Thomas M Kitts•Rock Music Studies•2021

  • Mayday Music

    Don McLeese•Rock Music Studies•2021

  • Music Festivals in the UK

    Charles Anderton, Chris Anderton•Music Festivals in the UK•2018

  • Beats and tweets

    Open Access•Jo Haynes, L Marshall•New Media & Society•2017

  • Stages, Platforms, Streams

    Qian Zhang, K Negus•Popular Music & Society•2021

  • Artists as Entrepreneurs, Fans as Workers

    Jeremy Wade Morris•Popular Music & Society•2013

  • Crowdfunding and the democratization of the music market

    Open Access•Patryk Galuszka, Blanka Brzozowska•Media Culture & Society•2017

  • The labour market for jazz musicians in Paris and London

    Open Access•Charles Umney•Human Relations•2016

  • Reluctant entrepreneurs

    Open Access•Jo Haynes, L Marshall•British Journal of Sociology•2018

  • Cultural entrepreneurs, cultural entrepreneurship

    Open Access•Marshall Scott, Michael Scott•Poetics•2012

Obras citantes distintas2
Citações por ano0,67
Intervalo de citações2023 - 2024 (2)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 2
Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae