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Peace wanted alive

An artist’s response to Kenya’s post-election violence

Bibliographic Data

ID21877133
AuthorsCraig Halliday (University of East Anglia, corresponding author)
Year2020
Volume10
Issue1
Pages61-83
Publication date2020-12-04
Open AccessYes
TypeARTICLE
VenueExcursions Journal (JOURNAL)
Journal identifiersISSN: 2055-494X • E-ISSN: 2044-4095
PublisherUniversity of Sussex (PUBLISHER)
DOI10.20919/exs.10.2020.258
OpenAlexW3107630416
LanguageEN
References cited16

In this article I examine how the chaos of Kenya’s PEV became the source of motivation for Solo 7’s peace activism. For the artist, the term "chaos" was initially understood as a metaphor for the violence and destruction in the slum of Kibera (where Solo 7 resides), which upturned daily life as people knew it. The article will go on to argue that once this particular episode of chaos came to an end, other forms emerged – notably, an anxiety as to whether violence might reoccur, but also the uncertainty of surviving day to day in a precarious and highly unequal society. These multi-layered connotations of chaos created new subtexts for how Solo 7’s peace slogans and activism were interpreted and used by both the artist and public. [...] And they are needed today more than ever

Aesthetics · Art · Metaphor · Peace movement · Political science · Politics · Population · Slum · Sociology · Structural violence · Cambodian History and Society · Gender Studies · Gender, Security, and Conflict · Historical and Contemporary Political Dynamics · Law

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Highly citedNo

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