Predictors of Attendance at the Performing Arts
Datos Bibliográficos
| ID | 2192187 |
|---|---|
| Autores | Alan R Andreasen, Russell William Belk (0000-0001-6674-9792) |
| Año | 1980 |
| Volumen | 7 |
| Número | 2 |
| Páginas | 112 |
| Fecha de publicación | 1980-09-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of Consumer Research (JOURNAL) |
| Identificadores de la revista | ISSN: 0093-5301 • E-ISSN: 1537-5277 |
| Editorial | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1086/208800 |
| OpenAlex | W2011219733 |
| Idioma | EN |
| Citas recibidas | 36 |
| Referencias citadas | 3 |
The present study differs from earlier efforts by its consideration of (1) future attendance intentions of potential artsgoers, (2) life-style, attitudinal, and experiential predictor variables, and (3) multiple market segments, and by its use of multivariate methods. With such differences, socioeconomic variables that were best predictors of arts attendance in prior work become nonsignificant. Implications for arts management are discussed
Art · Attendance · Library science · Political science · Sociology · The arts · Visual arts · Computer Science · History · Housing Market and Economics · Law · Psychology
The Specific Nature of Leisure Consumers' Problems
On the Use of Component Scores in the Presence of Group Structure
Hedonic Consumption
Marketing the Arts—A Classification of U. K. Theatre Audiences
Music consumption at the dawn of the music industry
Art marketing as an emerging area in an emerging market
Reevaluating Segmentation Practices and Public Policy in Classical Performing Arts Marketing
The Elite Arts, More or Less de rigueur
Relationships among levels of government support, marketing activities, and financial health of nonprofit performing arts organizations
Categorization of contemporary art collectors in Japan
Similar but special
Modelling patterns of attendance at performing arts events
Omnivorous audiences of performing arts
Omnivore versus univore consumption and its symbolic properties
Consumer behaviour in multi‐channel contexts
Rules and expectations of jazz gigs
Démocratisation culturelle et commercialisation des arts Un bilan critique des enquêtes sur le public des arts au Québec
How Do Leisure Constraints Influence the Revisit Intentions of Music Festival Visitors
The Supply of Performing Arts in Metropolitan Places
Self- Expressed Adult Music Education Interests and Music Experiences
A Multidimensional Analysis of Content Preferences for Leisure-Time Media
The Performing Arts and Marketing
Knowing the Public. A Review of Museum Marketing Literature and Research1
Culture as a tourist resource — a theoretical consideration
Understanding participation patterns and trends in tourism cultural attractions
The role of social identification and hedonism in affecting tourist re-patronizing behaviours
How heritage site tourists may become monument visitors
Linking tourists’ performing arts experience and perceived destination image
Temporal Frameworks and Individual Cultural Activities
Arts and cultural consumption and diversity research
UAE public participation in the musical arts
A life course perspective on cultural capital acquisition
Art museum membership and cultural distinction
LGB ́s Arts Affinity
Is Government Procurement an Effective Policy to Improve Performing Arts Attendance and Audience Satisfaction? Evidence From China
The aesthetics of consumption and the consumer as an aesthetic subject
| Obras citantes distintas | 36 |
|---|---|
| Citas por año | 0,82 |
| Intervalo de citas | 1982 - 2025 (44) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 34 |