Tokenized and Tactile
Frank Stella’s Geometries (2022)
Bibliographic Data
| ID | 21974064 |
|---|---|
| Authors | J Cabelle Ahn (Harvard University, corresponding author) |
| Year | 2023 |
| Volume | 12 |
| Issue | 6 |
| Pages | 222 |
| Publication date | 2023-10-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Arts (JOURNAL) |
| Journal identifiers | ISSN: 2076-0752 • E-ISSN: 2076-0752 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/arts12060222 |
| OpenAlex | W4387976155 |
| Language | EN |
| References cited | 7 |
On 8 September 2022, the American artist Frank Stella launched a series of twenty-two digital art works minted as Non-Fungible Tokens (NFTs) in collaboration with Arsnl, the in-house platform by the Artist Rights Society (ARS). Titled Geometries, each “package,” included the NFT that would affirm ownership and the corresponding geometric model designed by Stella in JPG (image), MP4 (video), SLS (3D printing), GLB (virtual reality and model manipulation), and USDZ (augmented reality). This range of digital formats alludes to two of Stella’s innovations in this space: the license to remix and manipulate his models, and the ability to 3D print Geometries at any color, scale, and material. Taking Stella’s foray into the NFT-space as a starting point, my article focuses on an emergent trend by artists engaging with Web3: the effort to bridge the physical and the digital by giving tangible form to NFT artworks and what this suggests for the future of digital materiality. The paper at its core seeks to examine the relationship between the physical referents to NFTs at the very moment when new media returns to historical forms
Aesthetics · Art · Art history · Visual arts · Art, Politics, and Modernism · Art, Technology, and Culture · Artistic and Creative Research · Computer Science
| Citation velocity | historical |
|---|---|
| Highly cited | No |