Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

“Pro Honore et Libertate Ecclesiae Invicta Fortitude Sustinuit”—The Oratory of St Thomas Becket in the Cathedral of Anagni

Bibliographic Data

ID21974408
AuthorsClaudia Quattrocchi (Rome National Central Library, corresponding author)
Year2021
Volume10
Issue4
Pages69
Publication date2021-10-12
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts10040069
OpenAlexW3207934315
LanguageEN
Citations received1
References cited3

On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 February 1173. However, it was in faithful Anagni that he settled on and off from March 1173 through the following years (November 1176; December 1177–March 1178; September 1179). It was here that he decided to elaborate a powerful speech in images. In an oratory in the crypt of the grandiose cathedral, Alexander III had the last painful moments of the Archbishop’s death painted in a program imitating that of St. Peter’s in the Vatican. Becket thus became the new imitator of Christ, the new Peter, the new martyr on the altar of the Church of Rome

Altar · Ancient history · Archbishop · Art · Art history · Humanities · Martyr · Rhetoric · Theology · Byzantine Studies and History · Classics · Historical and Religious Studies of Rome · History · Medieval European History and Architecture · Philosophy

  • Embroidering the Life of Thomas Becket during the Middle Ages

    Open Access•Nathalie Le Luel•Arts•2022

  • Les stratégies de la narration dans la peinture médiévale

    Ve-XIIe siècles Poitiers Les stratégies de la narration dans la peinture…•Les Strategies De La Narration…•2020

Unique citing works1
Citations per year0.25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae