Augmented Reality and the Dematerialization of Experiential Art
Bibliographic Data
| ID | 21974430 |
|---|---|
| Authors | Dawna Schuld (Texas A&M University, corresponding author) |
| Year | 2023 |
| Volume | 12 |
| Issue | 3 |
| Pages | 116 |
| Publication date | 2023-06-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Arts (JOURNAL) |
| Journal identifiers | ISSN: 2076-0752 • E-ISSN: 2076-0752 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/arts12030116 |
| OpenAlex | W4379233194 |
| Language | EN |
| Citations received | 3 |
| References cited | 13 |
One of the most compelling effects of digitally enhanced and digitally enabled immersive exhibitions is their paradoxical dematerialization of “analog” experience. What leads exhibition visitors to accept that immersion is a state achieved only through technological mediation? Are we not already perceptually immersed in the world, as the phenomenologists asserted? This essay explores how digital enhancement disengages self-awareness by masquerading as immersion. In contrast, contemporary artists Karin Sander, Janet Cardiff, and Chris Salter employ desynchronizing and dislocating tactics to challenge naïve notions of what comprises an aesthetic experience, in order to requaint viewers with their own perceptual and ethical agency
Aesthetics · Art · Exhibition · Experiential learning · Mediation · Perception · Social science · Sociology · Visual arts · Photography and Visual Culture · Psychology · Virtual Reality Applications and Impacts · Visual Culture and Art Theory
| Citations per year | 3 |
|---|---|
| Citation span | 2025 - 2026 (2) |
| Highly cited | No |