Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Cowboys

Abstract Expressionism, Hollywood Westerns, and American Progress

Bibliographic Data

ID21974542
AuthorsJustin Kedl (Film Independent, corresponding author)
Year2023
Volume12
Issue1
Pages33
Publication date2023-02-14
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts12010033
OpenAlexW4320919800
LanguageEN
References cited3

Expressionism has been influenced heavily by the popular theory of America’s undying, progressive spirit, originally conceived by Frederick Jackson Turner and given its most potent form in Western films. Turner’s “Frontier Thesis” was embodied in stories of John Wayne and other cowboy heroes taming the supposed edges of civilization. The mythic West as constructed by Turner and these films cemented American identity as one of exploration and innovation, with the notable condition of Indigenous Americans ceding their sovereignty. While Abstract Expressionism was commonly connected to the mythic West through the origin stories of Jackson Pollock and Clyfford Still, the critical understanding of this movement as the height of painterly achievement built on Native American precedents evinces a deeper connection to Turner’s popular Frontier theory. As critics like Clement Greenberg cast flatness as the last frontier of painting, and as artists like Pollock and Barnett Newman claimed Native American ritual practices as a part of their aesthetic lineage, Abstract Expressionism proved as effective as Hollywood Westerns in corroborating and perpetuating the idea of America’s frontier spirit

American studies · American west · Archaeology · Art · Art history · Civilization · Culture of the United States · Ethnology · Frontier · Hollywood · Literature · Pollock · Popular culture · Art History and Market Analysis · History · Photography and Visual Culture

  • The Great American Thing

    Wanda M Corn•The Great American Thing•1999

  • Abstract Expressionism and Third World Art

    David Craven•Oxford Art Journal•1991

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae