Identity as Palimpsest

Bibliographic Data

ID21974673
AuthorsGregory Blair (0009-0000-7962-3240, University of Southern Indiana, corresponding author)
Year2023
Volume12
Issue4
Pages164
Publication date2023-07-25
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts12040164
OpenAlexW4385319040
LanguageEN
Citations received2
References cited4

This article focuses on the formation of identity as a stratified discourse between the singular and the collective, and how that exchange is expressed as a visual palimpsest by the artists Annette Cords, G Farrell Kellum, and Njideka Akunyili Crosby. Through their artworks, each artist explores their own identity formation, but also identity formation of those living amid the Postmodern condition of the Western world in the late stages of capitalism. All three artists explore how the collective is manifested in their singular identities by weaving in the personal, intimate, and everyday vernacular into their artworks while also including remnants of wider cultural influences. In the contemporary moment, the dynamic process of identity formation remains betwixt any sort of settled or concretized state. This unresolved status is also reflected in the conceptualization and construction of the artworks by Cords, Kellum, and Akunyili Crosby. The messy interplay between the singular and collective is presented in their artworks as unexpected juxtapositions of diverse information, images, materials, and mark-making

Aesthetics · Art · Collective identity · Conceptualization · Identity formation · Linguistics · Literature · Palimpsest · Politics · Postmodernism · Social science · Sociology · Vernacular · Irish and British Studies · Law · Philosophy · Russian Literature and Bakhtin Studies · Theatre and Performance Studies

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