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The Affective Byzantine Book

Reflections on Aesthetics of Gospel Lectionaries

Bibliographic Data

ID21974680
AuthorsJoseph R Kopta (Temple University, corresponding author)
Year2024
Volume13
Issue3
Pages92
Publication date2024-05-22
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts13030092
OpenAlexW4398223044
LanguageEN
References cited31

The aesthetic qualities of Byzantine Gospel Lectionaries in Middle Byzantine times, afforded by their material construction, fostered an intermedial relationship with the architectural interiors of the churches and chapels where they were used in sacred liturgies. In particular, Byzantine book makers employed discreet reflective materials—particularly albumen and gold—that engendered an aesthetic of liquidity. If we center materiality and aesthetic considerations of the Byzantine Gospel Lectionary, building upon art history’s so-called “material turn”, we can come closer to understanding something of the poetry of the Byzantine manuscript as part of an affective experience—one that was shiny, shimmering, and fluid

Aesthetics · Art · Byzantine architecture · Gospel · Literature · Byzantine Studies and History · Classics · Historical and Linguistic Studies · Historical and Religious Studies of Rome · Psychology

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Highly citedNo

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