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Polyrhythm as a Bridge for Group Improvisation in Brazilian Jazz

An Analysis of the Performance of Trio Corrente

Bibliographic Data

ID21981990
AuthorsThiago Azevedo Duarte (Universidade Federal do Paraná), Danilo Ramos (0000-0003-4444-4853, Universidade Federal do Paraná)
Year2022
Volume12
Issue1
Pages43-68
Publication date2022-12-16
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueIASPM Journal (JOURNAL)
Journal identifiersISSN: 2079-3871 • E-ISSN: 2079-3871
PublisherInternational Association for the Study of Popular Music (IASPM) (PUBLISHER)
DOI10.5429/2079-3871(2022)v12i1.4en
OpenAlexW4389981133
LanguageEN
Citations received1
References cited3

This research aims to analyze the establishment of a communicational basis from polyrhythmic occurrences in the performance of Trio Corrente, a Brazilian jazz group from São Paulo. The analysis presents re-readings of songs already known in Brazilian popular music, restructured and shaped through the incorporation of polyrhythmic elements. Research was carried out in three stages: (1) selection and transcription of excerpts from live and studio performances of the trio; (2) musical analysis of the transcribed works, in order to explore aspects related to the non-verbal interaction presented in the performances (3) structural analysis of language proposed by Jakobson (1960) and adapted by Vuust, Ostergaard and Roepstorff (2006) to analyze communication through the rhythm. It was found that polyrhythm plays a central role in the non-verbal interactions of the group. This research is expected to contribute to the development of rhythmic teaching and non-verbal interaction among musicians. KEYWORDS

Art · Art history · Improvisation · Jazz · Visual arts · Brazilian cultural history and politics · Medicine · Music Technology and Sound Studies · Musicology and Musical Analysis

  • Trans

    Open Access•Paulo José De Siqueira Tiné•Música Popular em Revista•2026

  • O contexto de improvisação em música popular instrumental sob uma perspectiva sistêmica

    Open Access•Raphael Ferreira da Silva•Opus•2017

  • Rethinking Interaction in Jazz Improvisation

    Open Access•Benjamin Givan•Music Theory Online•2016

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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