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Migrant Female Musicians and their Fight for Social Rights

Bibliographic Data

ID21983517
AuthorsMilena Gammaitoni (0000-0002-6578-8199, corresponding author)
Year2020
Volume46
Issue3 (177)
Pages85-99
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueStudia Migracyjne – Przegląd Polonijny (JOURNAL)
Journal identifiersISSN: 2081-4488 • E-ISSN: 2544-4972
PublisherUniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER)
DOI10.4467/25444972smpp.20.032.12596
OpenAlexW3093188447
LanguageEN

The aim of this essay is to examine the social action of women composers, often obliged to migrate, for long or short periods, in search of greater freedom and affirmation of their musical talent. The history of yesterday and today features numerous women musicians, composers and performers, active in the production of music, in social and political life, who often had and have to travel and migrate to assert themselves. Going on tour has always been part of the life of the artist – but for women it was not easy to travel freely and at will, on their own besides. Until the nineteenth century, such a thing was almost always strictly forbidden. Sometimes women composers and performers left the countries in which they resided for personal reasons, driven not only by the “compulsion” to change country because in their own it was impossible to choose the pathway they wished to follow

Aesthetics · Art · Musical · Political science · Politics · Social change · Social life · Social science · Sociology · Visual arts · Yesterday · Cultural Industries and Urban Development · Gender Studies · History · Law

Highly citedNo

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