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Chateaubriand’s literary identity

From translation of Milton’s Paradise Lost to conscious role of a memorialist and his monumental creation in Memoirs from Beyond the Grave

Bibliographic Data

ID21983687
AuthorsAleksandra Kamińska (0000-0001-7191-8159, University of Szczecin, corresponding author)
Year2023
Volume14
Pages109-122
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRocznik Komparatystyczny (JOURNAL)
Journal identifiersISSN: 2081-8718 • E-ISSN: 2353-2831
PublisherUniversity of Szczecin (PUBLISHER • PL)
DOI10.18276/rk.2023.14-05
OpenAlexW4407103845
LanguageEN

The aim of this article is to examine how Chateaubriand's translation of Milton's Paradise Lost influenced his monumental portrayal of the memorialist in Memoirs from Beyond the Grave. The writer is aware that his work marks the culmination of his literary creation: hence the reference to Milton drawing on the beauty and universalism of the Bible. In this context, the works of both writers show convergence in terms of thematic and stylistic threads. The most important common features are a preference for contrasts and the belief that man must come to terms with the decrees of providence. Chateaubriand emphasizes these elements even more strongly, referring to irony of fate and prolepsis

Aesthetics · Art · Art history · Literature · Memoir · Paradise · Paradise lost · Borges, Kipling, and Jewish Identity · French Literature and Poetry · Historical and Literary Analyses · History

Citation velocityhistorical
Highly citedNo

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