Narracje o tworzeniu, czyli „ciemność i magia”
Bibliographic Data
| ID | 21986128 |
|---|---|
| Authors | Magdalena Popiel (0000-0002-0424-2985, Jagiellonian University, corresponding author) |
| Year | 2023 |
| Volume | 20 |
| Issue | 4 |
| Pages | 385-401 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Konteksty Kultury (JOURNAL) |
| Journal identifiers | ISSN: 2083-7658 • E-ISSN: 2353-1991 |
| Publisher | Uniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER) |
| DOI | 10.4467/23531991kk.23.031.18834 |
| OpenAlex | W4391585624 |
| Language | EN |
| References cited | 4 |
Narratives on Creating, or “Darkness and Magic” The presence of autothematic narratives in the three basic models of culture – literary, audiovisual and digital – is a crucial factor influencing the diversity and dynamic evolution of the story on creating. The notion of autopoiesis introduced by the neurobiologists and sociologists widens the spectrum of research on creative process in literary texts, and more broadly in texts of culture. In the connection with these two functional aspects of autopoiesis: in the traditions of different medias and multiple research directions analysing the creative process, the author presents three models of modernist novel on creating. The interpretation of Testament by Witold Gombrowicz allows us to indicate, firstly, the process of narrative identity of writer constituting itself; secondly, the metaphor of theatre’s backstage providing autopoiesis with a performative dimension; and thirdly, the poetic rules of storytelling about creation, which build up its epiphanic aura
Art · Diverse Academic Research Studies · Language and Culture · Polish-Jewish Holocaust Memory Studies
| Highly cited | No |
|---|