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Jazz in Lampung

Community’s Perspective, Social Practices, Cultural Performance, Organization, and Consequences

Bibliographic Data

ID21987574
AuthorsRiyan Hidayatullah (0000-0001-7382-229X, Lampung University), Ricky Irawan (0000-0001-9075-5092, Institut Seni Indonesia Denpasar), Pandu Watu Alam (0000-0002-1418-4766, Padjadjaran University), Chamil Arkhasa Nikko Mazlan (0000-0002-0088-3849, Sultan Idris Education University)
Year2024
Volume25
Issue2
Pages186-216
Publication date2024-08-28
Open AccessYes
TypeARTICLE
VenueRESITAL JURNAL SENI PERTUNJUKAN (JOURNAL)
Journal identifiersISSN: 2085-9910 • E-ISSN: 2338-6770
PublisherInstitut Seni Indonesia Yogyakarta (PUBLISHER)
DOI10.24821/resital.v25i2.13664
OpenAlexW4403257705
LanguageEN

This article attempts to reveal the perspectives of the Lampung jazz community members dealing with organizational issues related to members’ perceptions or administrators. The cause is an extramusical issue that leads to the ulun Lappung (indigenous Lampung people) social characteristics. In general, problems uncommon in the jazz community arise in this communal setting. This article focuses on the Lampung jazz community’s perspective, cultural performances, social practices, and consequences. The data for this study came from immersive fieldwork conducted in Lampung jazz circles between 2017 and 2021. In addition to in-person data collection, field sites and apps were used. The research participants include senior musicians with over 20 years of experience, music scholars, music entrepreneurs, and jazz activists. Each participant has a unique perspective on group organization, jazz culture and knowledge, and socially musical practices. The significance of Lampung’s musical sense of community is discussed

Art · Art history · Jazz · Sociology · Visual arts · Asian Studies and History · History · Music History and Culture

Highly citedNo

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