Exploring Self Identity
An Analysis of Audience Reception of Vlogs
Bibliographic Data
| ID | 21988087 |
|---|---|
| Authors | Rizki Briandana (0000-0002-9077-3570, Mercu Buana University), Feni Fasta (0009-0007-6715-234X, Mercu Buana University), Eli Jamilah Mihardja (0000-0003-3057-3160, Bakrie University), Amer Qasem (An-Najah National University) |
| Year | 2021 |
| Volume | 6 |
| Issue | 2 |
| Pages | 303 |
| Publication date | 2021-07-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Jurnal ASPIKOM (JOURNAL) |
| Journal identifiers | ISSN: 2087-0442 • E-ISSN: 2548-8309 |
| Publisher | Jurnal ASPIKOM (PUBLISHER) |
| DOI | 10.24329/aspikom.v6i2.921 |
| OpenAlex | W3185504429 |
| Language | EN |
| Citations received | 2 |
| References cited | 19 |
This study analyzed the interpretation of the self-identity projected by Tasya Farasha through her YouTube content. The development of youth identity today cannot be separated from the role of social media. In this context, Tasya Farasha’s content was examined from the viewpoint of the audience who watched it. This study uses a reception analysis methodology with focus group discussion as data collection technique. The informants in this study were selected based on criteria and classified based on three different universities in Jakarta. The result showed that the informants perceived the content of Tasya Farasya’s broadcast as a reference for youth in forming self-identity both culturally and persuasively in speech and action. The self-identity that Tasya Farasya projects led to a cosmopolitan identity. An identity that sees human’s equality in a community. This self-identity also shows its resistance to various dogmas that discriminate against differences
Aesthetics · Art · Content analysis · Cultural identity · Identity formation · Self-concept · Social science · Sociology · Computer Science · Education, Sociology, Communication Studies · Educational Methods and Impacts · History · Islamic Finance and Communication · Psychology · Social Psychology
Audience and Reception Research in Retrospect
Perpetuating online sexism offline
What We Instagram
The influx of national identity
The Dynamics of Audience Fragmentation
Television, Audiences and Cultural Studies
The spatial self
Virality over YouTube
Encoding and decoding affordances
Intervening in the Media's Influence on Stereotypes of Race and Ethnicity
Imagining ‘non-nationality’
Transnational audience reception as a theater of struggle
The Nationwide Television Studies
Discourses of transnormativity in vloggers' identity construction
I Guess A Lot of People See Me as a Big Sister or a Friend
Ferguson
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2023 (3) |
| Highly cited | No |