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The Dialectics of Preservation and Renewal in Traditional Dance

Bedhaya Saptongkara as a Development of the Bedhaya Genre

Bibliographic Data

ID21988350
AuthorsSyahrial Syahrial (0000-0003-1803-0091, Universitas Surakarta, corresponding author)
Year2026
Volume16
Issue1
Pages020-040
Publication date2026-04-30
Open AccessYes
TypeARTICLE
VenueParadigma Jurnal Kajian Budaya (JOURNAL)
Journal identifiersISSN: 2087-6017 • E-ISSN: 2503-0868
PublisherWacana Journal of the Humanities of Indonesia (PUBLISHER)
DOI10.17510/paradigma.v16i1.2003
OpenAlexW7154707285
LanguageEN

Bedhaya is a traditional Javanese court dance that embodies ethical, aesthetic, and sacred values. Following Indonesia’s independence, restrictions on its performance gradually eased, allowing the dance to be presented beyond the court and fostering its development within arts education. This shift generated a dialectic between cultural preservation and creative innovation, exemplified by Bedhaya Saptongkara, which integrates Balinese dance elements into the Javanese framework to produce an innovative form. Using a choreological approach and comparative method, this study reveals that although Bedhaya Saptongkara retains core principles of bedhaya, it does not fully adhere to the classical structure. Instead, it occupies the category of bedhayan, a derivative genre that reinterprets bedhaya principles within a new creative context. These findings affirm that tradition and innovation are not mutually exclusive; renewal can broaden cultural relevance while maintaining aesthetic roots

Dance · Dialectic · The arts · Asian Studies and History · Cultural and Artistic Studies · Sustainability and Innovation in Business

Highly citedNo

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