Verdant Surfaces and Ambiguous Vividity
Ebony G. Patterson at CAMSTL
Bibliographic Data
| ID | 21991615 |
|---|---|
| Authors | J Y Buchanan (Saint Louis University, corresponding author), Jay Buchanan |
| Year | 2021 |
| Volume | 22 |
| Publication date | 2021-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Miranda (JOURNAL) |
| Journal identifiers | ISSN: 2108-6559 • E-ISSN: 2108-6559 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/miranda.39569 |
| OpenAlex | W3154073789 |
| Language | EN |
| References cited | 2 |
Verdant Surfaces and Ambiguous Vividity Everything is everything and everything is beautiful—Brittany Howard, “Stay High” Illustration 1: Ebony G. Patterson (1981-), ...between the stems sits a red cap above and below crown imperials.... Installation view. Contemporary Art Museum St. Louis, 11 September 2020-21 February 2021. Photograph: Dusty Kessler Before I reach the check-in desk at Contemporary Art Museum St. Louis (CAMSTL), Ebony G. Patterson’s clean yet chaotic ...between the stems s
Art · Art history · Desk · Political science · Visual arts · Art, Politics, and Modernism · Law · Museums and Cultural Heritage · Photography and Visual Culture
| Highly cited | No |
|---|